台北國際藝術博覽會 2026
2026.10.29 — 11.02
ART TAIPEI 2026
呼吸、回聲、之間：
劉振祥雲門40攝影展
Breath · Echoes · In Between:
LIU Chen-Hsiang’s 40 Years of Photographing Cloud Gate
尊榮貴賓預展 | SVIP Preview
2026.10.29(Thu.) 12:00-20:00
貴賓預展 | VIP Preview
2026.10.29(Thu.) 15:00-20:00
2026.10.30(Fri.) 11:00-14:00
公眾展期 | Public Days
2026.10.30(Fri.) 14:00-19:00
2026.10.31(Sat.) 11:00-19:00
2026.11.01(Sun.) 11:00-19:00
2026.11.02(Mon.) 11:00-18:00
地點 | Venue
台北世貿一館 Taipei World Trade Center Hall 1
展位 | Booth
B09
展出藝術家 | Artists
劉振祥、草間彌生、林餘慶&魏杏諭、曾上杰
LIU Chen-Hsiang, Yayoi KUSAMA, LIN & WEI, TSENG Shang-Jie
朝代畫廊參展ART TAIPEI 2026，台北文化獎得主劉振祥展出《雲門40攝影展》
本屆《台北國際藝術博覽會 ART TAIPEI 2026》，朝代畫廊很榮幸地與甫獲得「台北文化獎」肯定的台灣重要攝影家劉振祥合作，於展位B09共同呈獻《呼吸、回聲、之間：劉振祥雲門40攝影展》。
自1986年起，劉振祥便受邀為雲門舞集拍攝，展開長達40年的穩固合作，他穿梭於演出、排練與幕後現場，以敏銳而深刻的鏡頭，凝結舞者身體流動間稍縱即逝的瞬間，捕捉連編舞家也驚訝的畫面。正如雲門舞集創辦人林懷民所言：「振祥的快門捕捉的無數當下，讓我覺得自己曾經認真活過，雲門的歲月沒有留白。」劉振祥鏡頭所捕捉的，不只是舞者的姿態動作，更乘載舞作、舞者與舞團一路走來的精神記憶，從台前到幕後，40年的凝視將雲門不同時期的樣貌凝縮在影像中。
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此外，朝代畫廊亦將展出甫過世的日本當代藝術大師草間彌生作品，以及長年合作藝術家林餘慶&魏杏諭、曾上杰的全新創作。誠摯邀請您於ART TAIPEI 2026蒞臨朝代畫廊B09展位，在攝影、繪畫與雕塑之間，感受我們為您精心打造藝術盛宴。
At ART TAIPEI 2026, Dynasty Gallery is honored to collaborate with acclaimed Taiwanese photographer LIU Chen-Hsiang, a recent recipient of the Taipei Culture Award, to present Breath · Echoes · In-Between: LIU Chen-Hsiang’s 40 Years with Cloud Gate at Booth B09.
Since 1986, LIU has been invited to photograph Cloud Gate Dance Theatre, marking the beginning of an enduring collaboration that has now spanned four decades. Moving between performances, rehearsals, and behind-the-scenes moments, LIU captures with a sensitive and perceptive eye the fleeting movements of dancers’ bodies—moments so unexpected that they have surprised even the choreographers themselves. As Cloud Gate founder LIN Hwai-Min once remarked, “The countless moments captured by Chen-Hsiang’s shutter make me feel that I have truly lived, and that none of Cloud Gate’s years have been left blank.” What LIU captures extends far beyond the dancers’ movements and gestures. His photographs carry the spirit and collective memories of the works, dancers, and company throughout their shared journey. From the stage to behind the scenes, his forty-year gaze has distilled the evolving faces of Cloud Gate into a remarkable photographic archive.
In addition, Dynasty Gallery will present works by the recently deceased Japanese contemporary art master YAYOI KUSAMA, alongside new works by our long-term collaborating artists LIN Yu-Ching & WEI Hsing-Yu and TSENG Shang-Jie. We warmly invite you to visit Dynasty Gallery at Booth B09 during ART TAIPEI 2026 and experience a carefully curated presentation spanning photography, painting, and sculpture.
劉振祥
LIU Chen-Hsiang
劉振祥(1963-)為台灣重要攝影家之一，曾獲吳三連攝影獎、台北電影獎卓越貢獻獎、台北文化獎肯定。他長年耕耘新聞與表演藝術攝影，尤以與雲門舞集的合作，以及與多位知名導演所執導的電影劇照聞名。
他的攝影畫面帶有強烈紀實質感，在雜誌與報社任職期間，即以其視角貼近街頭第一線，在言論仍受限制的年代持續拍攝，為當時社會提供不同於官方主流的觀點，也為台灣民主化進程記載了一頁頁的影像。
劉振祥所拍攝的電影劇照包括侯孝賢《戀戀風塵》、楊德昌《恐怖分子》、鍾孟宏《陽光普照》與黃信堯《大佛普拉斯》等，透過其獨特的攝影視角，捕捉電影畫面之外演員、劇組與鏡頭之間的互動瞬間，留下珍貴而細膩的創作紀錄。
LIU Chen-Hsiang is one of Taiwan’s most prominent photographers. His accolades include the Wu San-Lien Award for Photography, the Outstanding Contribution Award at the Taipei Film Awards, and the Taipei Culture Award. Throughout his career, LIU has devoted himself to photojournalism and performing arts photography, and is particularly renowned for his decades-long collaboration with Cloud Gate Dance Theatre as well as his still photography for films by many of Taiwan’s leading directors.
LIU’s photographic practice is distinguished by a powerful documentary sensibility. During his years working for magazines and newspapers, he brought his camera directly into the streets, continuing to document Taiwanese society during an era when freedom of expression remained restricted. His images offered perspectives distinct from the dominant official narratives of the time and created an invaluable visual record of Taiwan’s democratization.
LIU’s film still photography includes HOU Hsiao-Hsien’s Dust in the Wind, Edward YANG’s The Terrorizers, CHUNG Mong-Hong’s A Sun, and HUANG Hsin-Yao’s The Great Buddha+. Through his distinctive photographic perspective, LIU captures interactions among actors, film crews, and the camera beyond what ultimately appears on screen, leaving behind intimate and invaluable records of the filmmaking process.
劉振祥 LIU Chen-Hsiang
《九歌 | Nine Songs》
24x30cm, Ed.20
銀鹽相紙 Silver Gelatin Print
1992
草間彌生
Yayoi KUSAMA
草間彌生(1929-2026)為當代藝術史上舉足輕重、影響深遠的亞洲藝術家。草間素以豐富多產的創作而著名，其作品涵蓋繪畫、雕塑、行為展演、流動影像和大型裝置。
草間在60年代便開始在紐約綻放才華，之後一直創作不輟，推陳出新，與自己身處的時代呼應共鳴。草間彌生堅持不懈地追求前衛藝術實踐，使她成為二十一世紀的全球文化偶像。
她在長年的創作生涯中發展出獨樹一幟的核心美學和人生哲學。其作品展示浩瀚無垠之境，反思大自然的生命形態與循環，擄獲世人的目光。其規模最大的歐洲巡迴回顧展正於阿姆斯特丹市立美術館展出中。
YAYOI KUSAMA was one of the most influential and consequential Asian artists in the history of contemporary art. Exceptionally prolific throughout her career, her practice encompassed painting, sculpture, performance, moving image, and large-scale installation.
KUSAMA first gained recognition in New York during the 1960s and continued to create and reinvent her artistic language throughout the decades that followed, constantly engaging with and responding to the changing times. Her relentless pursuit of avant-garde artistic practice ultimately established her as a global cultural icon of the twenty-first century.
Over the course of her extraordinary career, KUSAMA developed a singular visual language and philosophy of life. Her works evoke a sense of boundlessness while contemplating the forms, cycles, and vitality of nature, captivating audiences around the world. Her largest European retrospective to date is currently on view at the Stedelijk Museum Amsterdam.
草間彌生 Yayoi KUSAMA
《拼貼南瓜 | Pumpkin》
57.7x47.7cm, Ed.75
絲網版畫 Screen print
1982
曾上杰
TSENG Shang-Jie
曾上杰的木雕並不追求形體的精準重現，而是傾向如何將精神感受再演繹。曾上杰認為，從繪畫角度看待自己的立體作品，更能表達他的內心對世界的感知，其顏料上色覆蓋著刀痕所產生的隨機性，以及上色後再刻掉的曖昧感，皆是呼應藝術家對於雕刻「減法」的認知，也是一種虛實之間的探索。本次將展出他的《Swinger》系列新作，看似是曾上杰對年紀相仿的都市青春眾生研調報告，其實是對於路上行人的匆匆一瞥與隨之帶來的延伸想像。
TSENG Shang-Jie’s wood sculptures do not pursue the precise reproduction of physical forms; instead, they seek to reinterpret sensations, emotions, and states of mind. TSENG approaches his three-dimensional works through the perspective of painting, which he believes allows him to more directly express his perception of the world.
Layers of pigment interact with the unpredictable marks left by carving, while sections of painted surfaces are subsequently carved away, creating an ambiguous interplay between addition and subtraction. This process echoes TSENG’s understanding of carving as an inherently subtractive practice while exploring the shifting boundary between the tangible and the imagined.
At ART TAIPEI 2026, TSENG will present new works from his Swinger series. At first glance, the series may resemble an observational study of urban youth of his generation; in fact, the figures originate from fleeting glimpses of passersby on the street, expanded through the artist’s imagination into sculptural portraits of contemporary life.
曾上杰 TSENG Shang-Jie
《Swinger 76》
41.3x18.1x16.3cm
樟木、壓克力顏料 Camphor, Acrylic Paint
2026
林餘慶&魏杏諭
LIN & WEI
林餘慶＆魏杏諭(1983&1982-)共同創作至今已近二十年，藝術家耐心分配色調和色塊，在繁忙緊湊的節奏中，公平地分配色彩，創造了均衡生態。此外，系列作品之間的物件串連，也讓他們的創作產生古時壁畫的共時性──將長篇幅的故事呈現在一片牆上，讓觀者於一眼全覽的同時也能在細節裡悠遊。藝術家筆下的主要角色「Wulala」就像是他們的化身，不斷出現在作品畫面之中，像是導遊般引領我們徜徉在林餘慶和魏杏諭為作品所創作的心情詩海中，盡情探索。
LIN Yu-Ching and WEI Hsing-Yu have worked collaboratively for nearly two decades. Through the meticulous distribution of colors and forms, the artists establish a sense of equilibrium within compositions characterized by dense and dynamic rhythms, creating a balanced visual ecosystem.
Recurring objects and motifs connect individual works across their practice, lending their compositions a simultaneity reminiscent of ancient murals, where extended narratives unfold across a single wall. Viewers are invited to take in the entire scene at once while simultaneously wandering through its intricate details.
Their recurring central character, “Wulala,” functions almost as an alter ego of the artists. Appearing repeatedly throughout their works, Wulala serves as a guide, leading viewers through the poetic and imaginative worlds created by LIN and WEI and inviting them to explore freely.
林餘慶&魏杏諭 LIN & WEI
《人造星球7號 | Artificial Planet No.7》
80x110cm
壓克力筆、複合媒材 Acrylic pen, mixed media
2024